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Founded in Derby in 1945 by Charles Parker, who acted as both designer and Managing Director, Coronet went on to produce a range of well-engineered and robust machines that covered markets as diverse as clock-making and woodworking - though it is for the latter field that the company became best known. Announced in June, 1946, immediately after the end of WW2, the Company's first offering was the "Home Cabinet Maker", a 2-speed wood-turning lathe with a swivel headstock for bowl turning and saw-bench and sanding attachments (a machine that was the direct forerunner of the famous Major, Minor and Minorette models). The lathe was offered at £7 : 2s : 6d in basic form and £10 : 18s : 3d for a version equipped with a saw bench and a "long nose" to carry a polishing mop. Advertisements mentioned the imminent release of a bandsaw attachment (the lathe machined and ready to accept it) with delivery in six to eight weeks. At the Model Engineering Exhibition of 1946, Coronet displayed four new small precision lathes, three of which were plain-turning types and one backgeared and screwcutting. The plain lathes were the "Diamond" (with a flat-topped bed and swivelling headstock) and a pair with round, solid steel bar beds; the "Jewel", "Ruby" - both taking 8 mm collets. The screwcutting lathe was the "Tiara" of which, unfortunately, no technical details are known and any surviving paperwork yet to be discovered. However, such was the demand for small lathes that it was not until October 1946 that advertisements appeared for them, the price being, at first, £27 : 17s : 6d for the Diamond and £18 : 15s : 0d for the Ruby - collected, ex-works. It is likely that another design of wood lathe would also have been introduced at around the same time - a simple flat-bed machine of 6.75-inch centre height and 32 inches between centres though (judging by the rarity with which the model is encountered), it could only have been made in very limited numbers. The Company's initial direction appears to have been uncertain; were they intending to produce high-quality, miniature precision lathes to compete with the likes of Pultra, Boley and Lorch - or to tackle the less-profit-per-unit but much larger wood-machinery market? By the late 1940s, the decision had been made, and work was concentrated exclusively on wood machines. By the early 1950s, and enjoying considerable success, the number of models on offer had expanded to include the Major, Majorette Elf, Minor and Minorette wood-turning lathes, as well as versions of those built as universal wood-working machines including the popular and long-lived "Minor Ten-in-One". Also made in some numbers were the Consort Universal Woodworkers, the Imp Bandsaw and the Capitol and Sovereign Planers. A very rare model, of which, so far no advertising literature has been fond was the Hobby, a simple lathe that looked remarkably like the very cheap wood-turning lathes imported from Korea and Taiwan from the late 1960s onwards. In the late 1950s, the Coronet enterprise had expanded to both sides of Mansfield Road, to the north of Derby city centre, with one building devoted to the machine shop and the other to assembly. Severl apprentices were employed, including Paul Spencer and his school friend, David Ormston, these two being set on to build up lathes using six vices mounted on pedestals. After a little practice they decided to ask Doug Parker if a bonus could be paid for exceeding a set target, and this was agreed to. However, more than keen to exceed their wages of just £1 : 15s : 0d per week (a very small amount) within two months hundreds of lathes were stacked up all over the factory - and the bonus, as a consequence, cancelled! Paul writes "I only worked there for about 18 months when the old factory was by Chester Green and in two parts. One had the river Derwent at the back of the building and, when you opened the door in the morning, the room was full of rats. Mrs Parker was a tyrant, but her boys were all okay. Mick Trotman was the Union shop steward and shortly after we moved to Alfreton Road everyone had to join the Engineering Union. You were interviewed by a Union committee, quite a frightening experience for young apprentices who had just left school. Once everyone had joined the Union, they called for a pay rise up to the National Engineering level but the company refused and so Mick called a strike - the management gave in. The Union then began to negotiate an annual pay rise which, once again was refused by the company and followed by the threat of a strike. Then, just a few weeks later the government intervened on a wider scale and the award was granted. It must have cost the owners dearly for they had just moved into a new building, probably on credit, then had to pay three increases in wages. Not that that equated to much of course...just £1 : 15s :0d a week for apprentices. One issue in the new building was the heating, or lack of it, as the only source was an old coke burner at the bottom end of the factory that left us freezing in winter. The Union complained, of course, and the company had to install a decent, modern system. We had a West Indian lad working with us named Clarence, he was only young and had never seen snow until the winter hit us. He loved it, but suffered hot aches with the cold. George Greenhough was the works foreman in the machine shop; Roy Clark, the supervisor in the fitting section, was an ex-army boxer, but a nice chap, generally speaking." By the early 1960s Mr. Parker had passed away and the company was run by his wife and three sons, a new factory being built on Alfreton Road, across the railway tracks from the former. Although Mrs Parker was in charge, all three sons played a vital role with Chris being the Managing Director, Don creating an aluminium foundry and Doug running the factory - this having a machine shop down one side and an assembly area along the other. The offices were at the front and a storage area at the rear. Always of a distinctive pattern, and exemplary quality, Coronet's wood-working machinery had all casting poured and machined in-house and no cheap die-cast, MAZAK or plastic components were ever used in their construction (even the models built by Record Tools from the 1970 onwards continued the tradition). Of all the machines they made the most famous was the 4.5" centre height "Major", a model introduced in the late 1940s as the ambitiously-specified Twelve-in-one Universal Combination Woodworking Machine and Lathe. At first, it was offered, confusingly, in four versions - with the best-equipped being the 540 lb. Major General. This differed from all other variants in having widely splayed, triangulated bed feet that carried long stiffening bars at front and rear so giving, in conjunction with the bar-bed, a structure rigidly triangulated in two planes. It was supplied on a stand constructed from steel legs braced by twin, longitudinal bars running the length of the lathe at floor level. Amongst its features and standard firments were: a swing headstock for large-diameter bowl turning; a generous between-centres wood-turning capacity; a 4-inch planer; 8-inch saw with tilting table and a mortising attachment. The Major was, in essence, an identical machine, but without the stand, whilst the Major Standard also lacked a stand but came with the same equipment as the Major General - though with simple "foot-type" splayed bed feet. The cheapest model, the Major Majorette, whilst retaining all the equipment of the more expensive models, had its bed length cut down to 27 inches and no between-centres turning capacity. Confusingly, in later years, the Major was to be fitted with bed feet not unlike those used on the original Major General, with a strengthening strut cast in at bench level - but without the long end-to-end bracing bars. Continued below:
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